Graduate Fellow
Modern technology and culture has disconnected us from the rest of the world’s biota. Having built entirely man-made environments, we have distanced ourselves from the rest of the organisms on the planet. Having created the technology to control nature, we have alienated ourselves from what has sometimes been referred to as the ‘interspecies culture of mother earth.’ Feeling elevated, we have lost respect for other life forms, which have no less value than our own. The VERY LOUD CHAMBER ORCHESTRA of ENDANGERED SPECIES is a collaborative art-science project, which explores the impact of environmental degradation on non-human animals. More specifically, it is a spatial data visualization and sonification project that aims to communicate environmental data on pollution, species and habitat loss to the general public in an engaging, non-technical manner. The spatial installation consists of skulls from various species. Each 'cranial unit' will be equipped with a servo motor and speakers and generate sound and movement in response to changes in the relevant data sets. By literally giving a VOICE to those whose habitats and lives are jeopardized by human activities, the project will initiate a subliminal emotional dialogue between viewers and the life forms that they often overlook. In essence, this project is an audible attempt to restore the dignity of other organisms that inhabit this planet and is an aesthetic amplifier of the negative consequences of our cultural choices. Alternatively, this project can be understood as a memento mori for those whose existence has been threatened, and a roaring wake-up call to the human race.
The Very Loud Orchestra of Endangered Species
| PI(s): | pinar yoldas (Duke University) |
| Start Date: | 1-May-2012 |
| End Date: | 30-Apr-2013 |
| Keywords: | anthropogenic effects, ecology, communication, education, paleontology |
Modern technology and culture has disconnected us from the rest of the world’s biota. Having built entirely man-made environments, we have distanced ourselves from the rest of the organisms on the planet. Having created the technology to control nature, we have alienated ourselves from what has sometimes been referred to as the ‘interspecies culture of mother earth.’ Feeling elevated, we have lost respect for other life forms, which have no less value than our own. The VERY LOUD CHAMBER ORCHESTRA of ENDANGERED SPECIES is a collaborative art-science project, which explores the impact of environmental degradation on non-human animals. More specifically, it is a spatial data visualization and sonification project that aims to communicate environmental data on pollution, species and habitat loss to the general public in an engaging, non-technical manner. The spatial installation consists of skulls from various species. Each 'cranial unit' will be equipped with a servo motor and speakers and generate sound and movement in response to changes in the relevant data sets. By literally giving a VOICE to those whose habitats and lives are jeopardized by human activities, the project will initiate a subliminal emotional dialogue between viewers and the life forms that they often overlook. In essence, this project is an audible attempt to restore the dignity of other organisms that inhabit this planet and is an aesthetic amplifier of the negative consequences of our cultural choices. Alternatively, this project can be understood as a memento mori for those whose existence has been threatened, and a roaring wake-up call to the human race.
